Set Design by Adi Goodrich
This particular issue of Wired Magazine was curated by Christopher Nolan. The direction from the Wired creative director and art director was 1960's op art. I created black and white striped sets that disrupted the viewer's perspective and ability to understand what was foreground and background. While shooting this op-art inspired shoot in San Francisco, I became nauceous and had to wear protective UV sunglasses due to the intensity of the black and white vibrating lines. Photography by Stephanie Gonot.